
The
Strawberry Alarm Clock was my psychedelic band from California and
reached the top of the charts with "Incense and Peppermints" at the
height of the flower power era in 1967. We were originally called Thee
Sixpence but decided to change our name to something
more...contemporary(?). When I got home from the band meeting resulting
in the name change, my mother simply said "You've GOT to be kidding."
The band consisted of me on lead guitar (and a lot of bass on the 2nd,
3rd & 4th albums), Lee Freeman (rhythm guitar), George Bunnell
(bass), Mark Weitz (organ), and Randy Seol (drums).
The
story behind the song, "Incense and Peppermints," is a fascinating
one...as well as a hard lesson learned! Mark Weitz wrote the bulk of
the music and I wrote the bridge. We didn't have lyrics.
Our
manager took our music track to a producer in Hollywood. In a month we
received our lyrics in the form of sheet music and a demo tape. Neither
Mark's name or my name appeared on the credits. Our manager's
explanation? "This is what you have to do to break into the music
business." What? Give away something you wrote??
No
one in the band could sing the tune so the vocal was done by a friend
of ours, Greg Munford, who also had a local band. Despite the record
going to #1 in November, 1967, Munford never joined the band.
The
Strawberry Alarm Clock appeared on some of the top television shows at
the time (including The Jonathan Winters Show, Rowan & Martin's
Laugh-In) and a couple of movies ("Psych-Out" and, later, "Beyond the
Valley of the Dolls"). We recorded a follow-up tune called "Tomorrow"
which charted as high as #14. The record company didn't like our next
album so they brought in some outside writers for our third album. By
this time, internal conflicts caused the departure of Bunnell &
Seol. We tried, through various incarnations, to revive the music but
just couldn't come up with another "Incense...".
Funny
how things work out. While the "Clock" was sitting at home and out of
work, we received word that our former manager had put together a bogus
"Clock" and had booked a 3-month tour of the South. We were able to
stop the bogus band in its tracks and then decided WE should do the
tour ourselves. And THAT's how I met Ronnie Van Zant and the rest of
Lynyrd Skynyrd.
Skynyrd was our
opening act for most of the tour. We became good friends and went
through some interesting experiences together. One day Skynyrd was
rehearsing at a club in downtown Jacksonville. Ronnie called me and
said "Come on down...we want you to hear a tune we wrote." The tune was
called "Need All My Friends" and I was blown away. I wanted to play
guitar behind that guy! It took a couple of years but finally, in late
'72, Ronnie called me with an invite into the band....on bass.
The
memory of the "Clock" would be brought to the forefront again in 1997
when "Incense And Peppermints" was featured in the first Austin Powers
movie.
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